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Motivation is a photography blog that discusses the creative aspects of photography. The posts will include thoughts about images and their interpretation, photographers and their work, technique, workflow, my ongoing projects, and perhaps even the occasional off topic rant.

Remembering The Dead (Discovering Dry Plate Photography)

In my work travels, I recently met someone who gave me an interesting gift. Several years back he had been driving down a back road in Virginia and came across an old, abandoned farmhouse. He stopped and peeked in to see if anyone was using the place (you can’t be too careful about what you run across that looks abandoned these days), and saw only cobwebs. He went in and found an interesting box:

Seeds Dry Plates - The Company Was Founded In 1883

Seeds Dry Plates - The Company Was Founded In 1883

Dry plate photography was developed after the wet collodion process. With dry plates, glass plates that had been factory coated with a photographic emulsion were boxed after the emulsion dried. They could be stored and loaded into cameras as needed and developed at any time after exposure. The process was therefore far more convenient than the wet collodion process, where glass plates had to be hand coated with a wet, light sensitive emulsion just before exposure and then developed almost immediately thereafter. The dry plate process was first introduced in 1871, and, in particular, the Seed Dry Plate Company was founded in 1883 and purchased by Eastman Kodak in 1902. That would date this box as well over 100 years old.

My friend opened the box and found exposed dry plates inside, which appear as a negative image! Recognizing that the farmhouse was obviously abandoned and that if he left the plates they would likely be lost forever, he took the box. After a few weeks of our working together, he found out about my interest in photography and one day brought the box in and gave it to me as a gift.

The dry plates themselves (of which there were 8 or 9) were not in particularly good shape, probably because that had been exposed to the elements for decades. This an example of one of the dry plates that was better preserved, with an apparent negative image:

Glass Dry Plate

Glass Dry Plate

I chose some that looked promising, put them on my flatbed scanner and scanned them. I then brought them into Photoshop, inverted the negative black and white image, added a bit of contrast and sharpened them. In some instances, I was able to produce a pretty reasonable image of people who are presumably no longer among the living. For example, this was the reult of scanning the dry plate pictured above:

girl from dry plate.jpg

And for a closer, zoomed in look at the young girl:

 
girl.jpg
 

And another couple of examples. The many black dots are areas where the emulsion has degraded and worn off. I have to say that it is at the same time exciting and yet somewhat eerie to see people ‘reaching out from the dead’.

Family Dry Plate.jpg

To me, this next image appears to be the same two women pictured above:

 
friends.jpg
 

And yet another:

man.jpg

And this final image does appear a little ‘ghostly’.

 
baby.jpg
 

Perhaps this serves to bring back, in some small way, the memory of these people. Should any reader know who these folks are (I know the odds are one in a million, but stranger things have happened) do please let me know.

100 Year Old Arctic Negatives

Sometimes I run across photography based stories that are just too interesting not to share. This is one of them.

2019-03-24_22-05-36.jpg

Here is a story about a box discovered buried in Antarctica containing never before seen negatives from Ernest Shackleton’s 1914-1917 expedition that was stranded during a blizzard when their ship blew out to sea (they were ultimately rescued, but the negatives were left behind). Read about it here and get a closer look at some of the processed photographs here. More information about that expedition, known as the Ross Sea Party, can be had here.

Ansel Was Here...Probably...Maybe

One of the many nice things about going on a workshop run by people devoted to teaching and ensuring a great experience is that they have plans 'up their sleeve' about where to go in order to get good shots in any weather condition.  So when the weather was less than optimal, in this case bright sunshine, blue sky, and no clouds.......John and Dan took us out to two superb 'old car graveyards'. I don't necessarily present the image below as 'fine art', but I do present it because of its very interesting history.  Does it look familiar to anyone?  How about that roof rack?

Well, this car supposedly belonged to Ansel Adams and that is his signature roof rack.  Now I don't say supposedly in an idle, matter of fact way.  Once again, supposedly, the vehicle VIN numbers have been matched to the car he owned in order to make the ID. Apparently, the front of the car had been replaced at some point so the license plate may not be helpful. Is it true?  Who knows (well, maybe somebody does) and in reality he left us so much that it really is a triviality as to whether this is truly the car he photographed from or not.

Still, the idea of him standing up there in Yosemite.........

Sergei Mikhailovich Prokudin-Gorskii

Who?????  Say it slowly now....Sergei Mikhailovich Prokudin-Gorskii, who lived from 1863 to 1944. Sergei was apparently supported by Tsar Nicholas II to photograph Russia from 1909-1912.  He used a very sophisticated camera to take three rapid, sequential black and white photographs, one using a red, one using a green, and one using a blue filter.  He was then able to combine the images and display them with filtered lanterns to yield a final color image.....is this starting to sound like Photoshop channels, or what???  The more things change, the more they stay the same. The images are quite amazing, particularly given the era they come from.  Here are two images and a link to the original boston.com story that displays 34 of the photographs.  Of note, The Library of Congress purchased the glass plates in 1948, and there are hundreds of them to see.

Sergei Mikhailovich Prokudin-Gorskii, Russia

Image by Sergei Mikhailovich Prokudin-Gorskii

Image by Sergei Mikhailovich Prokudin-Gorskii

Image by Sergei Mikhailovich Prokudin-Gorskii

One of the fun parts about this was how I found out about the story.  Isn't it a pleasure when your children grow to the point that they understand and respect your interests, even though it may not be their 'cup of tea'?  Well, my son in college came across it while surfing the internet during a study break and sent me a link to it because he knew I would find it interesting.  He was right and I thought I would share it on the blog!